“Perception, in whatever sensory modality, is the result of the brain’s cartographic skill.” Antonio Dimasio
New Radio and Performing Arts, Inc. (NRPA) invites you to propose a hybrid net art project for Turbulence.org - Augment it Yourself (AiY). Projects must use both the World Wide Web and a physical site :: Deadline: July 1, 2014 :: Commission Amount: $6,000 :: Commission Date: July 2015.
- The behavior of all particles is contingent on the presence of a conscious observer.
- Our internal and external perceptions are inextricably connected.
- Reality is the perpetual enfolding/unfolding of autopoiesis (self-making), in relationship with others and our environment.
Augmented Reality (AR) is a real-time experience of a real-world environment whose elements are augmented by computer-generated sensory input — such as video, graphics or sound — and mapped to GPS coordinates. Thus, after downloading an AR ‘app’ to a smartphone and going to the specified location, users are able to experience intertwined realities.
While AR refers to the technologies that make these experiences possible, we are interested in how we have always augmented our realities — with our brains and other reality-mediating technologies — modifying and/or enhancing reality by layering memories on real-time perceptions, for instance. How will your project contribute to perception, memory, and the creation of the autobiographical self?
Required: Proposal (max 500 words), Biography (max 300 words), and URLS of past work.
Email them to turbulence @ turbulence.org with the Subject: Turbulence.org - AiY Proposal.
* Do it Yourself (DiY) empowers individuals to make things without the aid of “experts” or professionals; it is an alternative to consumer culture’s emphasis on relying on others to satisfy ones needs.
Turbulence Commission: INTERP by Jeff Thompson:
INTERP is a series of digital sculptures generated by blending 100 unrelated photographs, placing them into simulated three-dimensional space, and importing them into photogrammetry software, tricking it into thinking that the photographs were of a single object. Thompson is interested in “useless” and culturally-derived data sets, so rather than use an arbitrary archive of photographs (a Google image search for a particular term, for example), it seemed more natural to use a finite set that he had generated himself (approximately 12,000 images when he began the project in 2012). Every photograph was used.
INTERP is a 2014 commission of New Radio and Performing Arts, Inc. for its Turbulence website. It was made possible with funding from the National Endowment for the Arts.
Jeff Thompson received his BFA from the Minneapolis College of Art and Design and his MFA from Rutgers University. He is currently Assistant Professor and Program Director of Visual Art & Technology at the Stevens Institute of Technology in Hoboken, New Jersey. Thompson has exhibited and performed his work internationally at venues including the Museum of the Moving Image, Sheldon Museum of Art, the Taubman Museum of Art, SITE Santa Fe, Bemis Center for Contemporary Art, the Jersey City Museum, and the Weisman Art Museum. Thompson’s visual and written projects have been published by Ugly Duckling Presse, the Parsons Journal for Information Mapping, and Leonardo Electronic Almanac (MIT Press), among others. In addition to his studio practice, Thompson curates exhibitions through Drift Station, a curatorial collaboration that mounts international, experimental exhibitions.
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