These 3d-printed zoetrope sculptures were designed by John Edmark, and they only animate when filmed under a strobe light or with the help of a camera with an extremely short shutter speed. He shares about the project:
These are 3-D printed sculptures designed to animate when spun under a strobe light. The placement of the appendages is determined by the same method nature uses in pinecones and sunflowers. The rotation speed is synchronized to the strobe so that one flash occurs every time the sculpture turns 137.5º—the golden angle. If you count the number of spirals on any of these sculptures you will find that they are always Fibonacci numbers.
For this video, rather than using a strobe, the camera was set to a very short shutter speed (1/4000 sec) in order to freeze the spinning sculpture.
If you happen to have a 3D printer handy, you can find instructions on how to make these over on Instructables. (via Stellar—I have a few Stellar invites, first three people to email get ‘em)
New York-based artist and illustrator Christoph Niemann sees the world a little differently. You might recognize his covers for the The New Yorker, Atlantic Monthly, The New York Times Magazine, or perhaps one of his Google Doodles or even his I LEGO N.Y. project. As part of his creative practive Niemann sets time aside every Sunday to experiment with different visual concepts, much of which he shares on his Instagram account. Collected here are some of our favorites, but you can see much more over on his Tumblr. Niemann also has a solo show at MAK in Vienna opening later this summer.
First off: language warning for the kiddos. Stop-motion animator Dillon Markey works on projects for animation powerhouses like Robot Chicken and PES. While on set three years ago Markey tired of moving back and forth between the set, camera, and computers for each shot and conceived of a numerical keypad he could use to help control some, if not all, of the devices he uses for animating.
In a stroke of nostalgic brilliance, he realized Nintendo’s failed 1980 Power Glove—a wearable device that was supposed to offer novel ways of controlling video games—posessed the form factor he needed. While the Power Glove itself was a commercial flop because of imprecise and awkward controls (not to mention crummy games), Markey teamed up with an electrical engineer to completely rewire the device so it could interact with his stop-motion software via Bluetooth. In a move that would make Inspector Gadget proud, he further modified the glove to incorporate animation tools like retractable tweezers and special sensors that emit the perfect phrase when you use the glove for a fist-bump.
One would think such modifications would be interesting for the purpose of making a quick concept video like this, but that in practical application it might not really work. Not the case: he’s now used it for over 1.5 years on projects like this. It makes you wonder what other outmoded technology had the right form factor but wrong application? Film by Ava Benjamin.
To celebrate his 68th birthday last week, illustrator Helen Green created an animated gif of every one of David Bowie’s hairstyles from 1964-2014. Both the black and white and color stills of all 29 frames are avaiable as a print through Society6. (via Kottke)
Italian artist Francesco Camillo Giorgino, known as Millo, paints large-scale murals that feature friendly inhabitants exploring their urban setting. He uses simple black and white lines with dashes of color when necessary, and often incorporates elements of architecture into his multi-story paintings. In 2014, Millo won the B.Art competition that gave him the opportinity to paint no less than 13 large murals in the city of Turin. You can see much more of his work on his website, and on Facebook. (via Doodlers Anonymous)
Within the small confines of her 3 x 6 meter studio in Seoul, JeeYoung Lee‘s imagination is without boundaries. For each of her photographs the artist fills every square inch of space with hand-made props, set pieces, and backdrops and never edits or modifies the image digitally post-shoot. We first featured Lee’s work on Colossal last year, and OPIOM Gallery has since shared several more installations spanning from 2008 to 2014. Via OPIOM:
She does so with infinite minutiae and extraordinary patience, in order to exclude any ulterior photographic alteration. Thus materialised, these worlds turn real and concretise; imagination reverts to the tangible and the photo imagery of such fiction testify as to their reality. In the midst of each of these sets stands the artist, those self-portraits however are never frontal, since it is never her visual aspect she shows, but rather her quest for an identity, her desires and her frame of mind. Her creations act as a catharsis which allows her to accept social repression and frustrations.
It should be noted that Lee’s photography seems to be influenced, at least conceptually, by artist Sandy Skoglund. Her latest exhibition titled Stage of Mind will appear in both Bogota and Belfast later this summer. (via My Modern Met)
Wisdom / 11″h x 11″w x 5″d / Hand-dyed wool in Wall-Hanging Shadow Box
Autumn Hawk / 8″h x 5″w x 5″d / Hand-dyed Wool housed in a Glass Dome
Still This Heart / 4″h x 4″w x 4″d / Hand-dyed wool under Glass Dome
Study In Monochrome / 9″h x 5″w x 5″d / Hand-dyed Silk and Wool under Glass Dome
Textile artist Lana Crooks constructs small anatomical specimens from hand-dyed silk and wool. Fascinated by “the antique, the creepy, the cute and the mysterious” Crooks has received numerous accolades for her plush toy designs and is a member of the OhNo!Doom Collective here in Chicago. You can follow her work on Facebook or Instagram and see it in person next month at Modern Eden Gallery in San Francisco. (via Geyser of Awesome)
Watch as book artist and paper maker Randi Parkhurst slowly unveils her 2007 creation Patience, a meticulously organized collection of some 20+ self-contained handmade paper books. It really pays off to not skip ahead and watch as each inconceivably smaller box is revealed. This must have taken months and months to make. (via Colossal Submissions).
Cicadae Parasite Beetle (Rhipiceridae)
One of my favorite Flickr accounts to follow is Singapore-based photographer Nicky Bay (previously) who ventures into some of the most ecologically diverse (ie. creepiest and crawliest) places in the world to shoot macro photos of insects, arachnids, and fungi. Bay went on 46 different shooting excursions in 2014 and discovered creatures that seem more at home in an Avatar movie than here on Earth. He’s also begun working more with ultraviolet light that he uses to reveal the natural fluorescence of many organisms he encounters. My favorite discovery while scrolling through Bay’s 2014 photos is this species of moth that builds a cage out of its own caterpillar spines to protect itself while in a pupal stage. You can follow his day-to-day adventures on Facebook.
Archduke larva (Lexias pardalis dirteana)
Freshly moulted Jumping Spider
Harvestman illuminated with 365nm wavelength ultraviolet light; Millipede fluorescence.
Caged pupa. The spines of the caterpillar were used to construct this magnificent cage for protection during pupation.
Huntsman Spider consuming prey exposed under ultraviolet light for 20 seconds.
The Stanley Hotel in Estes Park, Colorado, is famous for hosting celebrities, politicians and other notable figures over the last century, but perhaps no visitor was more significant than writer Stephen King, whose stay at the 140-room neo-Georgian hotel inspired him to write The Shining. While the movie adaptation wasn’t filmed at the Stanley, that hasn’t stopped the hotel from embracing their share of fame in association with the legendary book and 1980 horror film.
Now the Stanley plans to build a 61,500 square foot hedge maze, similar to the backdrop of the heart-pounding final moments in Kubrick’s adaptation. The maze will be built from 1,600 to 2,000 Alpine Currant hedge bushes, and the design will come from a (free) public contest. Anyone is invited to submit plans for the maze, they even have templates and detailed instructions about how to create your design. Submissions are open until January 31st, 2015. (via Neatorama)